travel

5 Unique Photography Experiences to Have in Alaska

Alaska is known as The Last Frontier, and for those that have visited, it’s easy to see why. As Lindblad Expeditions’ former Director of Photography, travel photographer Ralph Lee Hopkins has photographed Alaska dozens of times in his career.

Jaguar photographed with a7CR

The Perfect Travel Camera? The Sony a7CR on Safari in Brazil

The wetlands of Brazil’s Pantanal region aren’t as well known as the Amazon, but it’s still home to an incredibly diverse ecosystem. With dozens of species of mammals and rodents and hundreds of species of birds, it is a wildlife photographer’s dream. Jaguars roam the shoes of the river while capybara and caiman flee from the hunting cats. Birds are everywhere you look, and their calls are pervasive throughout the day.

Sony a7C II and aC7R First Impressions Review

Sony a7C II and a7CR Hands-On: Entry-Level No Longer

The original Sony a7C was very much an entry-level camera. I really liked the minimalistic styling; a strong departure from the boxy DSLR look of the other Alpha cameras, and it was easy to navigate, but suffered from what many entry-level cameras suffer from: a lack of manual control dials, and a bargain basement viewfinder. But now we've got an upgrade. Or rather, upgrades.

Canon RF 28mm Review

Canon RF 28mm f/2.8 Review: A Golden Pancake or a Flop-Jack?

If there was ever a focal length that the manufacturers tend to put by the wayside, it's the trusty 28mm prime lens. You see, ultra-wide lenses are dynamic and 24mm lenses are admittedly more versatile. However, the 28mm range is probably my preferred focal length for walking the streets with only one prime lens.

Sony a6700 Review

Sony a6700 Review: Definitely Worth the Wait

The Sony a6000 series of cameras have a long history, starting with the insanely popular a6000 in 2014. In the nine years since that fateful camera, there have been quite a few new models and upgrades. However, the last camera to be released, the powerful a6600, came out almost four years ago and it is only now that we have a new model to replace it. The Sony a6700 has just been announced, but was it worth the long wait?

Nikon Z8 Review

Nikon Z8 Review: The Best Camera for Most Serious Photographers

My first experience with an almost full production Nikon Z8 took me to stunning Yellowstone National Park. In the week or so that I had to play with it I found it to be a most enjoyable camera, and I was able to review most of the major aspects of the cameras handling and capabilities. However, there were still some features that I needed to test, and for that I would need to wait for a final firmware Z8.

leica q3

Hands-On With the Leica Q3: Is This the Perfect Street Camera?

Ask nine out of 10 influencers, and the Leica Q2 will still be on their favorites list even though it's three years old. Its timeless styling made it an instant classic, but credit goes to the venerable 28mm f/1.7 Summilux for delivering the goods. Now Leica has released its latest version, the Q3, and we got our hands on a pre-production version to try out.

Sigma 17mm f/4 Contemporary Review

Sigma 17mm f/4 DG DN Lens Review: Good Things Come in Small Packages

There just aren't a lot of ultra-wide full-frame prime lenses to choose from. There are plenty of zoom lenses to choose from, however, compact dedicated ultra-wides are in short supply. Cue Sigma to save the day with its brand new Contemporary series 17mm lens. But is this the hero we were looking for?

Chasing the Light at White Sands National Park

America’s national parks are a true source of pride. Each is unique in what it offers and this is certainly true of one of the more off-the-beaten-track parks.

How and Where to Photograph Moose

What is the animal sighting that tops many visitors’ wishlists in Yellowstone, Canada, or Alaska? You might think the answer is straightforward: grizzly bears. Wolves. Bison. The answer, however, is moose!

Shooting the Landscape at 70 Miles an Hour

Landscape photography at 70 mph. Is it even possible? For years the idea of landscape photography was to put your camera on a tripod, frame very carefully, then wait for the light to be perfect before you shot. But what if you had to do everything in exactly the opposite way?