Alongside the new Lumix G9 II Micro Four Thirds camera, the first G Series camera to sport phase-detect autofocus, Panasonic has announced refreshed versions of two of its most popular Micro Four Thirds zoom lenses: the 35-100mm f/2.8 and the 100-400mm f/4-6.3.
A while ago, after I reviewed an inexpensive shift lens, Pergear contacted me to review a lens available only in Sony and Nikon mounts. I told them I did not have cameras that would take the lens. Later, I learned that they reissued their 60mm f/2.8 macro lens, Mark II.
Many photographers will say that your camera lens is as important (or even more important) than your camera body. All of the light that your camera body captures has to go through some sort of lens, which affects sharpness, distortion, amount of light, perspective, and many other variables.
Canon executives have definitively stated that the company has no intention of releasing lens roadmaps, stating that it instead prefers to surprise customers.
The 105mm macro lens has been a long-standing staple lens for most professional photographers, and I have never met a wedding photographer who didn't have one in their kit.
Tamron has announced that it is developing a Nikon Z-mount version of its 35-150mm f/2-2.8 lens, a very popular optic that was came to Sony E-mount in 2021.
The previously rumored Zhong Yi Optics (ZY Optics) APO 200mm f/4 Macro 1X Lens is official and available now for a wide range of lens mounts, including Sony E, Nikon Z, Canon RF, Leica L, and Fujifilm X.
Alongside the new Canon EOS R100 mirrorless camera, Canon also announced a new pancake-style prime lens for RF-mount, the RF 28mm f/2.8 STM. While announced simultaneously with the APS-C R100 camera, the RF 28mm is a full-frame lens.
While attending the CP+ 2023 show in Yokohama, Japan, back in February, I had the opportunity to meet with independent lens manufacturer Tamron. It had been a very long time since my last official contact with them, and a lot has changed over the intervening years. (The last time I attended a formal Tamron event was all the way back in 2015, when they introduced their excellent f/1.8 wide-angle primes.)
Using a massive Fresnel element and relying upon the physics of light, photographer Christopher Getschmann built a "hypercentric camera" that makes objects that are further away from the camera appear larger than what's closer.
Wide-angle zoom lenses with fast apertures are few and far between when it comes to Sony APS-C cameras. The Tokina 11-18mm f/2.8 ATX-M takes its shot in this overlooked class.
When it comes to macro photography, having the right lens is critical for achieving the best possible images. As such, the updated $547 HD D FA Macro 100mm F/2.8 ED AW from Pentax brings a refreshed optical formula optimized to work better with larger megapixel DSLR's but, sadly, not much else.
When Nikon announced the new Z 400mm f/2.8 TC lens, lots of people asked if I was going to buy one. My answer? “No way, I’d be crazy to spend $14,000 on one lens.” So I guess I’m crazy, because now I have one. Here’s what happened that changed my mind.
Dramatic, restrictive, and humbling are three words I'd use to describe the Carl Zeiss 16mm f/8 Hologon Ultra-wide lens that I shoot adapted to Leica M film cameras.
Fujifilm Japan has published a video tour of one of its camera and lens factories. In total, the company has six production facilities, including four in Japan.
Samyang has announced a new 35-150mm f/2-2.8 lens for Sony E-mount which features a wide zoom range typically associated with "all-in-one" style kit lenses but with a fast variable aperture that is uncommon in that segment.
One of the first images the James Webb Space Telescope ever captured was only possible thanks to a gravitational lens. Its latest is another example of this phenomenon, this time featuring a galaxy called the Cosmic Seahorse.
Chinese lens manufacturer Zhong Yi Optics has announced the Mitakon Creator 28mm f/5.6 lens, a $299 recreation of the Leica Summaron M 28mm f/5.6 which the company says has a "faithful adherence to the original lens characteristics while maintaining an affordable price for photographers".
I have a special interest in manual focus 50mm lenses. It began with a Praktica film SLR that was bundled with a 50mm f/2.8 Meyer-Optic Görlitz lens. Next came a Canon Ftb SLR with a 50mm f/1.4 FD SSC lens. This lens had a noticeable improvement in image quality along with a much better anti-reflection coating.
If you want to get a rise from fellow photographers, hop onto any online photography forum and discuss ultraviolet (UV) lens filters. You can say they're excellent or that they're worthless. Either way, you're sure to kickstart a less-than-friendly debate. Like most online debates, there'll be no winners.
Less than a month after announcing the Pictor 12-25mm T2.8 parfocal cinema lens, DZOFilm has unveiled its Gnosis 24mm T2.8 macro cine lens.
I received a request from Apexel to review a phone accessory that connects to microscopes, telescopes, or binoculars. I replied to inform them that I had none of those pieces of equipment but I might be interested in reviewing a macro or microscope attachment to mobile phones.
Lensbaby has unveiled its new Double Glass II optic at CP+ 2023 in Japan. The latest in Lensbaby's long line of unique creative photography lenses and accessories, the Double Glass II is a new-and-improved version of Lensbaby's Double Glass optic for its Optic Swap system.
Sony’s new Sony 50mm f/1.4 GM is a compact, fast, and high-resolution lens in Sony’s upper-echelon G Master lineup, and it joins Sony’s already flush 50mm focal length lineup.
The Viltrox AF 75mm f/1.2 doesn't slot neatly into Viltrox's existing prime lens lineup for APS-C cameras (and currently for Fuji X-mount) - in fact, I'd call it an aberration, an experiment, possibly even a mistake. But what a wonderful mistake.
Micro Four Thirds (MFT) is perhaps the most derided of all camera formats in modern digital photography. It is constantly overlooked, scoffed at, and is the subject of disdain. It really shouldn't be, and you all are way too hard on it.
One of the most basic and common terms in the world of photography is the focal length of a lens. In this guide, we will dive down deep into what focal length is and how it works.
Sigma’s 50mm f/1.4 DG DN Art takes its place as the latest lens in Sigma’s venerable high-end lens line and is a welcome addition thanks to excellent performance and a low cost of entry.
A recent factory tour reveals some of the steps that Fujifilm takes to hand-assemble its huge XF 150-600mm f/5.6-8 R LM OIS WR lens.
Low-cost lenses started appearing in the market in the last twenty years or so, with prices coming down steadily. When I saw another inexpensive lens in an article a couple of months ago, it grabbed my attention not with its price but with its core feature. It was a shift lens. An 18mm, fixed-aperture at f/8, shift lens at $119 was worth trying.