We've seen the 100-400mm f/5-6.3 DG DN OS Contemporary before because it's the current full-frame super-telephoto option from Sigma for mirrorless cameras. What we haven't seen before is a full-frame Sigma that has been specifically adapted for the APS-C-sized Fujifilm lens mount -- until now.
Sigma has announced that it is bringing the 100-400mm f/5-6.3 DG DN OS and 23mm f/1.4 DC DN Contemporary lenses to Fujifilm X-mount, bringing the total number of Sigma optics for the format to six.
The classic professional photographer's kit has for decades consisted of the holy trinity of f/2.8 zoom lenses: a 16-35mm, 24-70mm, and 70-200mm. Armed with these, a photographer can cover almost any shooting situation. When Sony first started its full-frame mirrorless camera line, it quickly made these professional zoom lenses under the G Master moniker. Unfortunately, these lenses were not able to deliver the high-grade results that many of the other brands could.
Sony has announced the 16-35mm f/2.8 G Master II which joins the 24-70mm and 70-200mm G Master f/2.8 zooms that have also been recently updated to bring their performance in line with modern expectations.
Tamron is developing a 17-50mm f/4 Di III VXD (Model A068) ultra-wide to standard zoom lens for full-frame Sony E-mount cameras, the world's first to offer such a zoom range on Sony cameras.
Tamron has announced that it is developing a Nikon Z-mount version of its 35-150mm f/2-2.8 lens, a very popular optic that was came to Sony E-mount in 2021.
Sony has been working hard to re-release new iterations of its existing lenses because although many of the early lenses were decent, they still left much to be desired. The original G Master zooms, for example, were priced like high-grade professional lenses, but came up short optically.
Sony has announced the 70-200 f/4 Macro G OSS II, a follow-up to the original that was brought to market nine years ago. This new version improves basically every major aspect: it's smaller, lighter, focuses faster, adds macro, and takes sharper photos than the original.
How do you make the excellent Tamron 11-20 f/2.8 DI III RXD for Sony E-Mount even better? You release it for Fujifilm X-Mount as well.
Venus Optics has announced the Laowa Ranger Series of compact, full-frame cinema zoom lenses. The series currently includes the 28-75mm and 75-280mm T2.9 lenses, with the promise of a 16-30mm T2.9 coming next.
Wide-angle zoom lenses with fast apertures are few and far between when it comes to Sony APS-C cameras. The Tokina 11-18mm f/2.8 ATX-M takes its shot in this overlooked class.
Canon's newly announced RF100-300mm f/2.8 L IS USM lens is going to be an exceedingly rare optic for a while: the company doesn't expect to be able to deliver lenses this year, even to those who already ordered.
The 11-20mm f/2.8 Di III-A RXD lens for Fujifilm APS-C cameras that Tamron announced that it was developing last February is finally coming to market at the end of May for $829.
Canon has announced a new RF 100-300mm f/2.8 L IS USM lens which it says is designed to support professional users with a specific emphasis on photojournalists.
Samyang has announced a new 35-150mm f/2-2.8 lens for Sony E-mount which features a wide zoom range typically associated with "all-in-one" style kit lenses but with a fast variable aperture that is uncommon in that segment.
Leica has announced the new Vario Elmar SL 100-400mm f/5-6.3 lens, which is now the longest lens in its SL-series lineup. It is also joined by a new 1.4x extender that extends its reach even further.
Tamron is developing the 11-20mm f/2.8 Di III-A RXD (Model B060) for Fujifilm X-mount, which it describes as a lightweight and wide-angle zoom lens.
DZOfilm has announced the Pictor 12-25mm T2.8, a wide-angle, parfocal cinema lens designed for use with Super35 cameras that costs less than $3,000.
A recent factory tour reveals some of the steps that Fujifilm takes to hand-assemble its huge XF 150-600mm f/5.6-8 R LM OIS WR lens.
As the mirrorless camera market hits its stride and companies have caught up on their typical prime and zoom lens offerings, we see new offerings in non-traditional focal lengths. I can’t remember writing the words “all-in-one” in my decades in the tech press world as I have in the last year.
Sony has announced the new Sony FE 20-70mm f/4 G lens, a compact, lightweight lens with a wider field of view than the traditional 24-70mm focal length.
DZOFilm's new Catta Ace 18-35mm T2.9 cine lens is a versatile wide-angle parfocal optic that promises controlled focus breathing and excellent image rendering for the price that's comparable to pro-level photography-centric lenses.
We are proud to announce the second-annual PetaPixel Awards which praise a number of new photography products that our staff has voted as the best in their respective categories.
Sigma has announced the 18-50mm F2.8 DC DN Contemporary for Fujifilm X Mount mirrorless cameras, promising it to be high-performance, high-quality, and compact.
Tamron has announced the 20-40mm f/2.8 Di III VXD (Model A062) for full-frame Sony E-Mount. The company says that it was created in "aggressive pursuit" of portability, and is the smallest and lightest lens in its class.
Tamron has announced that it is developing a new 20-40mm f/2.8 Di III VXD Lens for Sony E-Mount cameras. The company says it will be the smallest and lightest in its class and support both photo and video applications.
Venus Optics has announced the 12-24mm f/5.6 compact zoom lens for full-frame cameras. The $650 fixed-aperture, manual focus lens is available for Canon RF, Sony E, Nikon Z, and Leica M mounts.
Sigma has shared a digital cross-section of its upcoming upcoming 16-28mm f/2.8 lens that showcases the intricate internal focusing system in action.
Sony has announced three new lenses that have been designed with the hybrid photographer/videographer in mind: the 10-20mm f/4 PZ, 15mm f/1.4, and 11mm f/1.8.
This Sigma 16-28mm DG DN Contemporary is the latest addition to the pile of really darn good lenses that don’t cost thousands of dollars.