Tamron has announced that it is developing a 70-180mm f/2.8 Di III VC VXD G2 (Model A065) for Sony E-mount cameras. This second generation version of the popular optic is expected to arrive this Fall.
Venus Optics will launch a crowdfunding campaign for a set of Laowa Nanomorph anamorphic lenses alongside a 1.33x anamorphic adapter at the end of August.
Viltrox has released the 75mm f/1.2 lens it originally launched for Fujifilm X-Mount in both Nikon Z and Sony E mount variants.
Sigma has been celebrating its 10th year in the Chinese market this July and is capping the festivities with a 35mm f/1.4 DG DN Classic that has the same optical construction as the original lens but without coated elements, which emphasizes flare and lightens contrast.
The Viltrox AF 16mm f/1.8 FE full-frame prime lens features an intriguing blend of a wide focal length, a fast aperture, and a low $550 price. Can it possibly be any good?
Sony has been working hard to re-release new iterations of its existing lenses because although many of the early lenses were decent, they still left much to be desired. The original G Master zooms, for example, were priced like high-grade professional lenses, but came up short optically.
Sony has announced the 70-200 f/4 Macro G OSS II, a follow-up to the original that was brought to market nine years ago. This new version improves basically every major aspect: it's smaller, lighter, focuses faster, adds macro, and takes sharper photos than the original.
Irix has reformatted two of its older DSLR lenses to be compatible with Sony E-mount cameras. The company promises these new versions maintain excellent image quality but bring improved design such as a new aperture ring and housing.
TTartisan has announced that its autofocus-equipped 27mm f/2.8 prime lens for APS-C cameras is now available for Nikon Z and Sony E-mount.
Samyang has announced a new 35-150mm f/2-2.8 lens for Sony E-mount which features a wide zoom range typically associated with "all-in-one" style kit lenses but with a fast variable aperture that is uncommon in that segment.
TTArtisan has announced that it is bringing its 27mm f/2.8 autofocus lens currently available for Fujifilm X-mount to both Sony E and Nikon Z-mount cameras.
Meike has that its autofocus-equipped 85mm f/1.8 lens that it launched last year for Sony E-mount is now available for Fujifilm X and Nikon Z-mount.
If there is one thing that can be said about DJI's cinema camera endeavors, it's that they are unique. The Ronin 4D was already a major shift from traditional systems, and now the Ronin 4D Flex is yet another play on the design.
Sony’s new Sony 50mm f/1.4 GM is a compact, fast, and high-resolution lens in Sony’s upper-echelon G Master lineup, and it joins Sony’s already flush 50mm focal length lineup.
Sony has announced the new Sony FE 50mm f/1.4 GM lens, a standard prime lens that Sony says is perfect for portraits, travel, street, and video.
Sigma’s 50mm f/1.4 DG DN Art takes its place as the latest lens in Sigma’s venerable high-end lens line and is a welcome addition thanks to excellent performance and a low cost of entry.
A long list of Sony's consumer products is getting a 14% price hike starting on February 1, the company announced today. That includes the Alpha series of cameras and interchangeable lenses.
As the mirrorless camera market hits its stride and companies have caught up on their typical prime and zoom lens offerings, we see new offerings in non-traditional focal lengths. I can’t remember writing the words “all-in-one” in my decades in the tech press world as I have in the last year.
Sony has announced the new Sony FE 20-70mm f/4 G lens, a compact, lightweight lens with a wider field of view than the traditional 24-70mm focal length.
Sony has revealed that it is developing a new 300mm f/2.8 G Master lens, but photographers won't be able to get their hands on it until early next year.
Sigma's new 60-600mm f/4.5-5.6 DG DN OS Sports lens is the world's first 10x ultra-telephoto zoom lens for mirrorless cameras and features six stops of optical stabilization at the telephoto end and seven stops at the standard end.
Pergear has announced a new $129 35mm f/1.4 full-frame manual focus lens for Sony E, Canon RF, Nikon Z, and Leica L mounts.
Sony's latest Alpha 7R V camera sports some seriously impressive capabilities that make it hard to ignore. But given the other cameras in Sony's line, even if this is the latest and greatest, is it the best for you?
Tamron’s trend of making atypical focal length lenses continues with the new 20-40mm f/2.8 Di III VXD lens. Like previous lenses in its "Frankenfocal" category, this new one is a success in everything that matters, from size, to resolution, to price.
Tamron has announced the 20-40mm f/2.8 Di III VXD (Model A062) for full-frame Sony E-Mount. The company says that it was created in "aggressive pursuit" of portability, and is the smallest and lightest lens in its class.
Tokina has announced the atx-m 11-18mm f/2.8 E, its first super-wide-angle zoom lens designed exclusively for mirrorless and promises full compatibility with Sony E-Mount APS-C cameras.
MonsterAdapter has announced an upgraded version of its LA-VE1 Minolta V to Sony E mount adapter. The LA-VE2 adds autofocus and allows all eight Minolta Vectis lenses to work with Sony mirrorless cameras.
Sony's new addition to its cinema line is the FR7. It takes its current imaging technology and combines it with remote-controlled robotics, creating the world's first full-frame interchangeable lens (ILC) PTZ camera.
The Tamron 50-400mm f/4.5-6.3 Di III VC VXD for Sony E-mount full-frame mirrorless cameras that was announced in July will be available in September for $1,299.
Sigma's two newly introduced wide-angle lenses are going to impress a lot of people with their large apertures and reasonable prices.