The Nikon Zfc is one of the most beautiful modern mirrorless cameras, and I would argue, the classiest. You're all welcome because for years I hounded Nikon to recreate the famous Nikon FM/FE look in a digital format, and with the Zfc it finally happened. I'm taking all the credit.
The original Panasonic G9 was quite a revolutionary camera. Built around a modern and intimidatingly professional-looking body, the G9 featured blazing-fast burst rates, an exceptionally good EVF, and motion-compensated multi-shot mode. However, it has been seven years since the G9 launch -- a long time to wait for a successor.
The original Sony a7C was very much an entry-level camera. I really liked the minimalistic styling; a strong departure from the boxy DSLR look of the other Alpha cameras, and it was easy to navigate, but suffered from what many entry-level cameras suffer from: a lack of manual control dials, and a bargain basement viewfinder. But now we've got an upgrade. Or rather, upgrades.
One thing Samsung’s new foldables tell us is that the company is reluctant to put its best cameras into any phone that folds or flips open. Should a device that carries such a premium cut a few corners on the camera side?
Flair markets itself as "The AI design tool for branded content," but based on hands-on impressions, it leaves much to be desired.
Vecteezy is a significant player in the stock image space, providing visual content for some of the world's top brands. Vecteezy recently launched a reverse image search feature that relies upon artificial intelligence (AI) to deliver licensable media matching an input image.
As a parent, you hope that your children will emulate your best traits, but also blaze new trails and achieve greatness beyond their own. You hope that lessons will be learned from your own mistakes and that your weaknesses will not be theirs. Is the Nikon Z9 a proud parent?
Somehow, 2023 has turned into quite the year for monochrome cameras. Leica, though, is no stranger to the format and the M11 Monochrom is just the latest in a series of excellent additions to the space.
Last week, Adobe made waves by announcing the beta release of its new text-to-image generative artificial intelligence (AI) model, Firefly. Adobe says its new platform wasn't built using stolen images, but rather, as Adobe boasts, Firefly has been trained using Adobe Stock images, openly licensed content, and public domain content.
I received a request from Apexel to review a phone accessory that connects to microscopes, telescopes, or binoculars. I replied to inform them that I had none of those pieces of equipment but I might be interested in reviewing a macro or microscope attachment to mobile phones.
Low-cost lenses started appearing in the market in the last twenty years or so, with prices coming down steadily. When I saw another inexpensive lens in an article a couple of months ago, it grabbed my attention not with its price but with its core feature. It was a shift lens. An 18mm, fixed-aperture at f/8, shift lens at $119 was worth trying.
Canon’s EOS R6 Mark II is a major yet, in some ways, a subtle upgrade over the original R6. The new R6 Mark II is faster and more capable than the R6 in most regards, and it addresses several of the limitations found in the original model.
The Sigma 60-600mm for Sony E-Mount is a versatile, compelling, and unique lens with a mindblowing 10x optical zoom range. As with any all-in-one lens, it’s not without its compromises, and the $2000 price puts it up against Sony’s native FE 200–600mm f/5.6–6.3 G OSS, even though the Sigma has a more versatile zoom range.
Leica making a TV seems very out of place, and yet, it showcased its new Cine 1 Laser TV at CES this week, opening a new product category the brand says it’s committing to going forward.
Yesterday, Nikon revealed that it was developing a new 85mm f/1.2 S lens for its Z-mount mirrorless cameras, and PetaPixel was able to get some literal hands-on time with the optic, which shows that the new lens is quite the handful.
Nikon just announced the 600mm f/4 TC VR S IS Super-Telephoto lens for its Z-mount cameras and photographer Steve Perry was fortunate enough to get some hands-on time with it. In short, he's quite impressed.
At a media event in New York City last week, I spent several hours with the new Fujifilm X-T5, and I came away with some interesting first impressions. The camera is a lot better, but not necessarily because of the specs.
The EOS R6 Mark II surprised me. Historically, Canon's "6" series has been a stepping stone camera that, at least to me, lacked an identity of its own. That changes with the R6 II, which now punches way above its weight.
Film isn’t dead yet. That’s the obvious message behind Leica digging up its roots and reimagining its storied M6 rangefinder film camera from 1984 and releasing a brand new variant in 2022.
There has been a lot of talk about AI generated images and visual art. One of the projects that I found most impressive was DALL-E 2. This is a new AI system that can create realistic images and art from a description in natural language.
Westcott recently released its third version of the popular specialist tool, the Eyelighter. If you happen to be a working headshot or portrait photographer, there is no way you haven’t seen it, thought about buying it, or even had it in your shopping cart at some point.
Samsung has revealed the credit card-sized T7 Shield SSD that promises plug-and-play functionality on Mac, PC, and Android devices. It is also Samsung's most durable portable SSD to date and is designed for travelers and outdoor content creators.
Photographers Long Nguyen and Garth Milan recently got their hands on the new Canon EOS R3 and put it through its paces capturing motocross. The two share their thoughts on how Canon's latest fits in their profession.
Leica has finally officially revealed the M11 Rangefinder, letting us finally put all the rumors of what we may or may not expect to rest. Now that it's here, what has five years of development given us?
In all my years in photography, I don’t think any camera has had as much buzz leading up to its release as the Nikon Z9. There were many reasons for that, both good and bad, but now that the camera’s here, does it live up to the hype? After one week of using it, I think so.
Last year I got my hands on a weird little controller console called the TourBox that would end up being an invaluable part of my editing workflow. I reviewed the original TourBox controller, with its assortment of buttons, dials, and scroll wheels, and loved how it allowed me to map certain shortcuts and functions in Final Cut Pro X, Lightroom, and Photoshop to save a lot of time while editing.
In a new update, Adobe is greatly increasing the masking capabilities of its Lightroom applications as well as Adobe Camera RAW. While it is not as powerful as what is found in full-fledged Photoshop, you will find yourself wondering how you ever lived without it.
After months of teasing, Canon finally let me get my hands onto a pre-production EOS R3 for a few days, during which time I tried every test I could think of.
As a Canon Ambassador, I had the opportunity to work extensively with a pre-production version of the new Canon EOS R3. This article isn’t a test report, but rather, a report on my experiences with the camera, and an account of how it compares to my current EOS R5.
Crazy. Ambitious. Innovative. While those may not be the first three words that come to mind when you hear about the iPhone 12 Pro Max and Profoto Pro-11, they are precisely what I think this pairing comes down to.